Shiro Tsujimura Abstract Paintings

April 2 – April 24, 2026

At Kamiya Kojimachi, we are pleased to present an exhibition of abstract paintings by the renowned artist Shiro Tsujimura.

The centerpieces of this exhibition are monumental works spanning up to 3.6 meters in width. These pieces are rendered with rare "Gyoboku" (Imperial Ink) from the Qing Dynasty, prepared using a traditional simmering process to manage the large volume of ink required while preserving its profound density.

The ink is received by traditional Chinese bamboo paper (Chikushi), a material chosen by the artist for its exceptional compatibility with the ink's performance and its long-term archival qualities. While modern industrialization is shifting paper production toward more commercial goods, this specific paper remains a vital medium for capturing the essence of Tsujimura’s brushwork.

Artist Profile

Shiro Tsujimura
Born in Nara, Japan in 1947.
He began working independently as a ceramic artist around 1970 and continues to work in Nara.

Exhibition Information

• Dates: April 2 – April 24, 2026

• Open Days: Thursdays and Fridays only

• Hours: 11:00 AM – 4:00 PM

• Venue: Kamiya Kojimachi 1F Kojimachi Annex, 4-5-10 Kojimachi, Chiyoda-ku, Tokyo 102-0083

While the gallery usually operates by appointment, the exhibition is open to the public without prior booking on Thursdays and Fridays during the exhibition period.

Technical Background: Material and Structure

Bamboo Paper and Imperial Ink

While Japanese Washi is known for its versatile, multi-purpose nature, traditional Chinese bamboo paper offers a distinct textural profile specifically suited for ink expression. This paper serves as the optimal vessel to draw out the full potential of the 100-year-old Qing Dynasty ink, resulting in a depth of black that remains unsurpassed.

Preservation and the Four-Panel Structure

The 3.6m x 1.6m work is composed of four individual panels, each measuring 1600mm x 900mm (trimmed from 1800mm x 900mm sheets). While this structure originates from the physical constraints of traditional papermaking, it also serves a critical function in preservation.

Large-scale paper naturally expands and contracts with changes in temperature and humidity, which can place significant stress on the support and the paper fibers themselves. By configuring the work into four panels, we mitigate the risk of tearing and structural warping. This design, informed by our expertise in paper manufacturing and restoration, also ensures the safety and feasibility of transportation and installation in modern environments.

開催日カレンダー | Exhibition Schedule

Dates:
April 2 (Thu) – April 24 (Fri), 2026

Open Days:
Thursdays & Fridays only

Hours:
11:00 – 16:00

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